June 27, 2007 (July 16, 2007 issue) | Michael Moore's Sicko | Christopher Hayes
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But after introducing us to the horror stories all too typical among even the 250 million Americans fortunate enough to have health insurance, Moore takes a few moments for a brief history lesson. How, he asks, did we get here? And it's in this time warp that we encounter the Gipper. This is not Gipper the Governor or Gipper the President or even Gipper the B-list actor. This is Gipper, silver-tongued shill for the interests of capital.
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So as momentum for national, universal healthcare built during the Truman Administration, foes such as the American Medical Association sought to build grassroots opposition. In an ingenious stroke, as Moore reports in Sicko, it organized thousands of coffee klatches across the country where suburban housewives could sip coffee, gossip and listen to a special recorded message about the evils of socialized medicine, a message delivered by the one and only Ronald Reagan.
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Moore's solution is simple: Get rid of the health insurance companies. Don't just tinker with the healthcare system, banish profit from the delivery of healthcare altogether. Socialize it. Make it a public good. It's a testament to the health insurance industry's power that as "universal healthcare" lurches toward the political middle, this proposal seems in some ways more radical than ever. Moore recognizes that if single-payer is ever going to come to America, it's going to be over the insurance companies' dead bodies. One way of understanding Sicko is as the opening salvo in a battle to make that happen. The movie alone can't do that, which is part of the reason Moore has teamed up with the California Nurses Association/National Nurses Organizing Committee, the labor union most zealously committed to single-payer. It'll be sending its members, along with like-minded doctors, to every single showing of the film's opening night to talk up single-payer to audiences. And it's currently rolling across the country in a multicity tour designed to leverage the film's publicity to push single-payer back into the national conversation.
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... Then Oprah turned to the audience and said she finally "got it" when in the film Moore points out that we don't charge for the services of firemen or think profit should have anything to do with firefighting. ...
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